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GFX100 II brings a new blazingly fast 102-megapixel large-format sensor to deliver up to 8fps in high-speed continuous mode, surgically accurate subject detection and tracking AF, and advanced video features that have never existed in any previous GFX System or X Series camera. Upgraded AI-developed autofocus algorithms and a new 9.44-million dot EVF bring the action accurately into view for photographers, while full-width 4K/60p, 4:2:2 ProRes video, and accessory-free delivery of files to Frame.io directly from the camera, give filmmakers access to new streamlined workflows and the ability to immediately collaborate with project team members.
Q: What is the Fujifilm GFX100 II Camera Body (1497160)?
A: The Fujifilm GFX100 II is a flagship medium format mirrorless camera featuring a 102MP large-format sensor designed for ultra-high-resolution photography and advanced video production. It sits at the top of Fujifilm’s GFX system for professional creators.
Q: What sensor does the GFX100 II use?
A: It uses a 43.8 × 32.9mm GFX 102MP CMOS II HS sensor with the X-Processor 5, delivering extremely high detail, wide dynamic range, and rich tonal depth.
Q: What is its image quality like?
A: It produces extremely high-resolution files (102 megapixels), allowing heavy cropping, large-format printing, and exceptional detail retention compared to full-frame cameras.
Q: Does it support video recording?
A: Yes. It supports advanced video modes including up to 8K recording and professional codecs like ProRes and 10-bit 4:2:2 workflows for cinema use.
Q: Does it have image stabilization?
A: Yes. It includes in-body sensor-shift 5-axis stabilization to help reduce shake in handheld shooting, especially important for the large medium format sensor.
Q: What kind of storage does it use?
A: It supports SD UHS-II cards and CFexpress Type B, with additional support for high-speed workflows and large file handling.
Q: Who is the GFX100 II best for?
A: It is aimed at professional photographers and high-end filmmakers working in commercial, studio, landscape, fashion, and cinematic production where maximum resolution and image quality matter.
Q: What are its main limitations?
A: It is large, expensive, and produces very large files, which require more storage, processing power, and slower workflows compared to APS-C or full-frame systems.